No me desagradó el piloto; de hecho, la encontré más oscura y sombría, con ese aire de "prueba de concepto" que le daba un tono diferente. Pero creo que los episodios oficiales lograron un buen equilibrio entre drama y humor cotidiano, reescribiendo y ampliando la premisa para que la narrativa resultara más coherente y funcionara mejor a lo largo de la temporadaTambién me gusta más el primer Inframundo y el primer Blade.
Vi parte de Entrevista con el vampiro, pero no toda; Necesito ver todo eso algún día.
A mi hermano GC y a mí también nos gustó la versión original británica de Being Human.
¿Llegaste a ver el episodio piloto, con un reparto principal algo diferente?
Si no, échale un vistazo.
It's hard to make sequels as good as the originals so I agree though interesting fleshing out the backstory in the 2nd and 3rd films.I also like the first Underworld the best, and the first Blade the best.
I saw some of Interview With The Vampire, but not all of it; I need to see all of that one day.
My brother GC and I also liked the original British version of Being Human.
Did you ever see the pilot episode for it, with a slightly different main cast?
If not, check it out.
I good post. Although not a fan of Tom Cruise, the original film's Lestat fit the character better. Not read the book in a very long time.Anne Rice gave us Lestat as that rare creature who could be loved and hated in the same breath: a monster with the soul of a philosopher, a seducer who pondered God while drinking blood. That ambiguity was his strength—cruel yet fascinating, uncomfortable yet magnetic.
The series, however, seems intent on reducing him to a toxic manipulator, as if the most complex vampire in literature needed to be downgraded to a cliché of abusive relationships. The issue isn’t that Lestat is cruel—he always was—but that by stripping away the contradiction, they rob us of the tragedy. He is no longer the mirror of our own paradoxes, but a stock villain.
And of course, without that tension between love and hate, what remains is interpersonal drama that could have been written by any late-night soap opera writer. Perhaps the real horror isn’t in the fangs, but in watching complexity evaporate in favor of simplification. Rice invited us to live with the discomfort of admiring the monster; the series invites us to point fingers at him.
Between the lost fascination and the moralizing tone, a little piece of the vampire dies…Still, it’s worth taking a look: even if it’s not Rice’s Lestat, it’s interesting to see how television reimagines him today.
I know it's old news, but from what I remember, the title was a disclaimer that this wasn't going to be Seinfeld caliber type of a show. I haven't watched it yet, but I'll put it on my list
Curb Your Enthusiasm
Love him or hate him Larry has his moments!
If you know Larry David he was basically half of Seinfeld writing and producing team with Jerry. If you like Seinfeld and that kind of humor this for you.I know it's old news, but from what I remember, the title was a disclaimer that this isn't going to be Seinfeld caliber type of a show. I haven't watched it yet, but I'll put it on my list![]()
Thank you for your input, @ErzCrz !I good post. Although not a fan of Tom Cruise, the original film's Lestat fit the character better. Not read the book in a very long time.
No me desagradó el piloto; de hecho, la encontré más oscura y sombría, con ese aire de "prueba de concepto" que le daba un tono diferente. Pero creo que los episodios oficiales lograron un buen equilibrio entre drama y humor cotidiano, reescribiendo y ampliando la premisa para que la narrativa resultara más coherente y funcionara mejor a lo largo de la temporada![]()